What does it mean when a singing voice is detached from an originating body through recording? And how does this affect consumers of recorded song? This book examines the practice of lipsynching to pre-recorded song in both professional and vernacular contexts, covering over a century of diverse artistic practices from early cinema through to the current popularity of self-produced internet lipsynching videos. It examines the ways in which we listen to, respond to, and use recorded music, not only as a commodity to be consumed but as a culturally-sophisticated and complex means of identification, a site of projection, introjection, and habitation, and, through this, a means of personal and collective creativity.
ISBN: | 9781501352348 |
Publisher: | Bloomsbury Publishing (UK) |
Imprint: | Bloomsbury Academic |
Published date: | 09 Jan 2020 |
DEWEY: | 783 |
DEWEY edition: | 23 |
Language: | English |
Number of pages: | 224 . |
Weight: | 290g |
Height: | 213mm |
Width: | 130mm |
Spine width: | 13mm |