" . . . a vitally new understanding that takes us from the terms of the representation of sexual difference to an anatomy of female subjectivity which will be widely influential." -Stephen Heath"An original work likely to have significant impact on all those with an interest in the vibrant intersection of feminism, film theory, and psychoanalysis . . . " -Naomi Schor" . . . powerfully argued study . . . impressive . . . " -Choice" . . . important because of its innovative work on Hollywood's ideologically-charged construction of subjectivity. . . . what is exciting about The Acoustic Mirror is that it inspires one to reevaluate a number of now classical theoretical texts, and to see films with an eye to how authorship is constructed and subjectivity is generated." -Literature and Psychology"As evocative as it is shrewdly systematic, the pioneering theory of female subjectivity formulated in the final three chapters will have wide impact as a major contribution to feminist theory." -SubStanceThe Acoustic Mirror attempts to do for the sound-track what feminist film theory of the past decade has done for the image-track-to locate the points at which it is productive of sexual difference. The specific focus is the female voice understood not merely as spoken dialogue, narration, and commentary, but as a fantasmatic projection, and as a metaphor for authorship.
ISBN: | 9780253204745 |
Publisher: | Indiana University Press |
Imprint: | Indiana University Press |
Published date: | 22 Apr 1988 |
Language: | English |
Number of pages: | 272 |
Weight: | 432g |
Height: | 236mm |
Width: | 156mm |
Spine width: | 15mm |